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In Our Time
Video Installation

Commissioned by Gerard Byrne, 2017
Spatial Sound Composition (realized in Ambisonics Surround)

A 3D radio sound space for the large-scale video installation "In Our Time". The sound combines the on-air sound of a radio broadcast and the sonic reality of its production in the studio. Presented at Skulpturprojekte Münster 2018, Kerlin Gallery Dublin, Lisson Gallery NYC a.o.
Video Excerpt / More information

Duerme Mi Niña, or Mother Don't Make Me Cry
Spatial Sound Composition for a stereoscopic film (realized in Ambisonics Surround)
Collaboration with the Museum of Jurassic Technology, 2017

Shot at the Isabella Stewart Gardner Museum, the film explores Isabella Stewart Gardner’s loss of her young son Jack.
The sound composition was realized in Ambisonics. Presented at the Museum of Jurassic Technology Los Angeles and the Isabella Stewart Gardner Museum Boston.
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The Glass House by Bruno Taut
Stereoscopic Video Installation
Commissioned by Museum der Dinge / Werkbundarchiv Berlin, 2015

Cast behind you the bones of your mother

Multi-channel sound for a sculptural installation
Collaboration with Clemens von Wedemeyer, 2015

A conversation of two 3D-printed sculptures reciting the Greek myth of Deucalion and Phyrra employing computer generated speech, accompanied by a futuristic sound space composition. Presented at KOW Gallery, Berlin
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The Humanzier
12-Channel-Multi-Room Surround-Sound Composition
Commissioned by Simon Fujiwara, 2016

The story of the historical Irish figure Roger Casement (1864-1916) is told in the style of a Hollywood movie trailer. The trailer-sound composition is divded and spatilized into four rooms that visitors could walk through to follow the narration. Presented at Irish Museum of Modern Art, Dublin.
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Jielemeguvvie guvvie sjisjnjeli - Film inside an image

Spatial Sound Composition (realized in Ambisonics Surround)
Commissioned by Gerard Byrne, 2015-2016

A 3D sound space for a single-channel film resembling the historic Diorama at the Biologiska Museet in Stockholm. The spatial sound, composed from ambisonic field recordings and archival sounds was presented on a circle of speakers to complete the circluar 360-degree impression of the Diorama. Presented at Monash University Museum of Art Melbourne, Mead Gallery Warwick, Moderna Museet Stockholm, a.o.
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Permanently installed 10-Channel Ultrasonic Sound Installation
Collaboration with StudioTheGreenEyl Berlin, 2015
Presented at Grimm-Museum, Kassel
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Institute Above-Ground, 2015
Music & Sound, 5.1 Channels

Directed by Florian Zeyfang / Lisa Schmidt-Colinet / Alexander Schmoeger
Presented at Forum Expanded, Berlinale Film Festival 2015, a.o.
Best International Short at Arquiteturas film festival Lisboa 2015
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Great Salt Lake Landscan
Stereo Sound Composition
Commissioned by the Center for Land Use Interpretation, 2014

"Landscans are high-definition videos, shot from moving aircraft, looking at the ground, with limited camera movement or edits, and usually lasting at least several minutes in length. Places selected to be depicted in this manner are sites of national significance that are large in area or linear in form, presenting a challenge to conventional documentary processes." (CLUI Website) Presented at the Utah Museum of Fine Arts a.o.
Video (scroll down to third video)



Über rauhem Grund / Rough Grounds
Film music and sound design, 2012

Directed by Youdid Kahveci, Production: dffb / arte
Screenings: Locarno Film Festival 2012, Hof, a.o.
FBW Filmbewertung "Prädikat besonders wertvoll"
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